Source: Participant
Jeff Skoll
Jeff Skoll, the billionaire philanthropist who launched Participant 20 years ago to champion socially conscious films, is closing down the impact producer-financier behind Spotlight, Roma, and Green Book.
In a memo to staff on Tuesday morning eBay co-founder Skoll said, ”I founded Participant with the mission of creating world-class content that inspires positive social change, prioritizing impact alongside commercial sustainability. Since then, the entertainment industry has seen revolutionary changes in how content is created, distributed and consumed.”
The statement hinted at what may have driven the Canadian’s “very difficult decision”. Studios and streamers are scrutinising their spend more than ever, and it has become harder for niche and demanding work to stand out in a challenged theatrical landscape, let alone on a streaming platform.
Screenunderstands the approximately 100-strong staff are not departing immediately, although sources connected to the company did not elaborate. According toVariety, which broke the story, a skeleton staff will continue to oversee the library and ongoing projects.
Participant was led since 2015 by CEO David Linde who turned around a company which, despite investment from a billionaire, had struggled with the bottom line.
Linde reduced the workforce and closed the ailing cable channel Pivot. Under the tenure of the well-connected former Universal chairman, Participant enjoyed success with the likes of Roma, and the $320m global box office smash Green Book.
Tuesday’s shock news removes a pioneering supporter of film and television that addressed pressing societal and humanitarian issues. Other companies have followed in its footsteps, like Barack and Michelle Obama’s Higher Ground Productions, and Ava DuVernay’s Array.
Since inception, Participant (at the time it was called Participant Media) has released 135 features, half of which were documentaries, which combined for $3.3bn at the pre-pandemic global box office; and five series; won 21 Oscars including two for best picture (Spotlight and Green Book) and garnered 86 nominations; and won 18 Emmys out of 62 nominations.
Filmmaking partners have included Steven Spielberg on Lincoln, Alfonso Cuaron on Roma, Tom McCarthy on Spotlight, and Davis Guggenheim on An Inconvenient Truth – Participant’s breakout success which won the best documentary Oscar in 2007.
Participant’s film roster includes Steven Soderbergh’s Contagion, George Clooney’s Good Night, And Good Luck., Robert Kenner’s Food, Inc., Shaka King’s Judas And The Black Messiah, Jonas Poher Rasmussen’s Flee, RBG from Julie Cohen and Betsy West, and most recently John Ridley’s Shirley on Netflix.
The company’s films have contributed to movements that have made significant impact: An Inconvenient Truth sparked conversation around climate change; Roma helped Mexican lawmakers pass legislation to protect domestic workers in Mexico; Dark Waters played a part in the US and European leaders addressing forever chemicals in water; and Judas And The Black Messiah spurred US politicians, educators and community partners to honour the legacy of the Black Panther Party and the work of chairman Fred Hampton.
Skoll’s memo appears in full below:
Dear Participant Team,
For 20 years, Participant has stood as the leading global media company focused on timely and emotionally transformational stories which speak to the world’s most pressing issues. When I founded this company in 2004, I set out to maximize impact. It was a groundbreaking philanthropic venture that was the first – and for a long time, the only – of its kind.
As many of you have heard today, after much reflection, I have made the very difficult decision to wind down company operations. This is not a step I am taking lightly, but after 20 years of groundbreaking content and world-changing impact campaigns, it is the right time for me to evaluate my next chapter and approach to tackling the pressing issues of our time.
I founded Participant with the mission of creating world-class content that inspires positive social change, prioritizing impact alongside commercial sustainability. Since then, the entertainment industry has seen revolutionary changes in how content is created, distributed and consumed.
Although I have not been active in the day-to-day management of Participant for some years, this is a farewell to one of the most gratifying ventures of my career and there is much to be proud of. We succeeded in creating something truly one-of-a-kind: an impact media company with a double bottom line. This was intentional, and by all measures, we have been incredibly successful in driving the impact we set out to create. We have achieved the highest levels of critical and commercial success. We have released 135 films and 5 series, won 21 Academy Awards, including 2 Best Pictures, 4 Best Documentaries and 2 Best International Features, won 18 Emmy Awards, earned more than $3.3 billion in global box office revenue and partnered with the greatest storytellers and changemakers of our time. Together, we have built a category-defining media pioneer with an iconic, globally recognized brand whose legacy will live on through our people, our stories and all who are inspired by them.
The global conversations sparked by films and series like “An Inconvenient Truth,” “Contagion,” “Good Night, and Good Luck.,” “Waiting for Superman,” “Lincoln,” “Spotlight,” “Roma,” “Food, Inc.,” “Judas and the Black Messiah,” “RBG,” “Just Mercy,” “American Factory” and “When They See Us” gave all of us a new roadmap to engage – earnestly and meaningfully – in the unending pursuit of a better world. It’s not an overstatement to say that Participant films changed the way we think and talk about impact-driven films, building a new lexicon for the power of transformational storytelling.
Our titles drove tangible real-world change. We got out the vote and championed investigative journalism. From the passage of landmark legislation to enact labor protections for domestic workers in Mexico, to spurring state and federal action to address forever chemicals in the United States and Europe, to driving increased global awareness and willingness to act on climate change – Participant content has made the world a safer, more just place for millions of people.
I am so grateful to our global community of Participants, who remind me every day that even one person can change the world with the right tools and enough determination. That community includes you all – I can’t thank you enough for everything you have given to this incredible company in your time here. I’d also like to thank David for his vision, leadership and continued growth of the company over the past 8 years. Whether you have been with us for months or years, if there is one thing you take from your experience, I hope it’s that sense of purpose we have cultivated among our community.
As this chapter of Participant comes to a close, I am emboldened by the efforts of the next generation of storytellers and content creators who are building upon and reimagining this work. From philanthropists, to producers, to distributors, to social impact agencies, more and more individuals and organizations all over the world are recognizing and adopting impact models as core to their approaches. The ripple effects of Participant can be felt far and wide – what we have started together is just the beginning.
Thank you all for your hard work and unwavering dedication to Participant. I have nothing but respect and admiration for each and every one of you, and I know you will continue to carry the legacy of what we built together far into the future.
Sincerely,
Jeff
“My films are cut through with the need to resist the violence of our times,” Alice Diop tells Visions du Reel audience
